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That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio. The URSA Mini Pro 4.6K has a Super-35mm CMOS sensor and shoots resolutions up to 4.6K (4,608 x 2,592) at up to 60 frames per second (fps). You can capture either 12-bit CinemaDNG or ProRes up to 444 QT. It has two XLR inputs with phantom power and is available in different lens mounts. Unlike compact cameras that require custom cables, URSA Mini Pro features industry standard broadcast quality connections so you can use cables you already have! You get the latest 12G-SDI and separate HD-SDI video outputs along with 12V power for connecting electronic viewfinders.
Shooting In Other Formats Beside 12K
SRT and 5G enable production of 'Mountain Attack' with Blackmagic's URSA Broadcast G2 - Panorama Audiovisual
SRT and 5G enable production of 'Mountain Attack' with Blackmagic's URSA Broadcast G2.
Posted: Thu, 21 Mar 2024 07:00:00 GMT [source]
So if you prefer a different recording format, this might pose a limitation. Personally, I knew I was already going to be working in DaVinci Resolve Studio, so that wasn’t a problem. Also, I was specifically interested in working in Blackmagic RAW to see if it would solve a practical issue that pertains to my specific workflow. 1 x 4-pin XLR port for external mains power supply or battery use.
Dynamic Range
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media. Seattle-based director and cinematographer, Note Suwanchote recently did a 12K and 8K camera test in Blackmagic RAW, using the Blackmagic URSA Mini Pro 12K. Note talks about the image quality for the new 12K sensor and how easy it is to shoot using Blackmagic’s RAW codec.
Connect to Mobile Data, High Speed Wifi or Ethernet!
It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K. The Blackmagic URSA Broadcast G2 was released on November 12, 2021.[15] It is the second generation of the URSA Broadcast line of cameras, and features a 6K Super 35 sensor. The Blackmagic URSA Broadcast was released on February 1, 2018.[14] While not an URSA "Mini", the Broadcast uses the same platform as the URSA Mini Pro.
Because they are so similar, we wanted to do more than just compare their stats. We put them side by side to see how they hold up to each other in features and performance. But, from a motion standpoint, being able to snatch a single still with the same camera you're going to use to capture video has other strategic advantages.
Like the rest of the camera, the monitor is stout and has a very satisfying click when closing. The C200’s batteries cost 270 bucks, Cine batteries for the URSA cost between 200 and 1,000 dollars. We don’t know if we’d roll the dice on a cheap cine battery, so it’s likely the URSA battery will cost more than the C200 battery. The C200 has both an EVF and LCD monitor while the URSA has only a LCD monitor. Like we said before, this can be remedied by getting the URSA Viewfinder for 1,500 dollars.
Since I have a gazillion of these T5 drives lying around on my desk, this means that I already had all the storage necessary to capture video at the highest quality. The camera does have dual-slot SD/SDHC/SDXC (UHS-II) recording options. But, I shot my entire project straight to the SSD which allowed me to just unplug it from the camera and plug it into my computer at the end of the shoot, and immediately get to editing. When you’re in the middle of a shoot, you need to be able to quickly check camera status even in daylight.
Blackmagic 82mm Lens Cap
Plus the record button is much larger than the other buttons, as it’s the most important control! To complement the physical buttons and controls, all these controls and much more are located on the LCD screen, which is a perfect way to operate the camera when you are using it on a tripod. Plus the LCD controls provide full redundancy for all controls. The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel.
Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project. This will allow you to browse the clips and let the camera sync your media files to other users globally. 1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu). 1 x Viewfinder USB-C with power, data, video and locking connector.
But my computer really seems to dislike the codec on a personal level. Some of the files playback with ease, others playback with a stutter step worthy of an NFL halfback. This can make editing very difficult without taking the time to create proxies or make other adjustments to my workflow. But there are a few specific requirements that I have that I wanted to see if the URSA Mini Pro 12K could solve. While it’s possible to pull frames from 4K, or even 1080, the more megapixels the better for most of my still photography.
You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery.
It would be a mistake to get a camera with the capability of the URSA Mini Pro 4.6K and not have a set of sticks to support it. All this said, just make sure you configure what you’ll need before you spend any money. It’ll improve what you can get from the tools if they are configured correctly. Festival Winner was shot with URSA Mini Pro 12K and completed post production using DaVinci Resolve Studio. Blackmagic Design departs from the usual push and hold button layout of most other cameras I’ve worked with in favor of a switch system for many of their controls.
This — by the way — is the most cost-effective and best-performing option at $400. Additionally, not all media captures high bit-rate and or framerate. Because media proves costly when shooting at high data rates — like what’s possible with the URSA Mini Pro 12K — make sure you have the right media. Work with remote cameras up to 2 km away from your studio or outside broadcast truck using SMPTE fiber.
There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production.
While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The built in touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen menus. The Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories.
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